News > Government regulations and uncertainty about demand remain large obstacles for arts organizations

Government regulations and uncertainty about demand remain large obstacles for arts organizations

Socially-distanced audience members wearing masks and talking while awaiting the start of the performance.
Performance by David Myles at the Fredericton Playhouse on September 25th. Photo credit: James West.

Statistics Canada released a new edition of the Canadian Survey on Business Conditions for the first quarter of 2021. Government regulations were the top obstacle reported by arts, entertainment and recreation organizations, followed by demand-related concerns. An earlier industry survey, the National Arts and Culture Impact Survey, had found much similar obstacles

The Canadian Survey on Business Conditions (CSBC) asked respondents “Over the next three months, which of the following are expected to be obstacles for this business or organization?” The following table ranks obstacles for the arts, entertainment and recreation sector by order of importance. Percentages higher than the all-industries average are highlighted.

Business or organization obstacles over the next three monthsArts,
entertainment
and recreation (%)
All industries (%)
Government regulations43.622.9
Insufficient demand for goods or services offered32.529.2
Fluctuations in consumer demand30.131.4
Maintaining sufficient cash flow or managing debt29.424.2
Travel restrictions25.719.3
Recruiting and retaining skilled employees19.624.1
Obstacles for the business or organization, none18.617.9
Cost of insurance16.920.1
Rising cost of inputs14.125.5
Obstacles for the business or organization, other13.76.2
Increasing competition12.219.1
Obtaining financing11.510.3
High speed internet10.07.2
Supply chain challenges8.423.8
Shortage of labour force8.019.5
Shortage of space or equipment7.05.2
Maintaining inventory levels4.413.3
Intellectual property protection4.31.5
Challenges related to exporting goods and services3.83.4
Source: Statistics Canada. Table 33-10-0308-01 Business or organization obstacles over the next three months, by business characteristics.

Observations about obstacles among arts, entertainment and recreation businesses

  • First of all, it’s important to note that arts and heritage industries only represent a portion of the arts, entertainment and recreation sector. Other industries in this classification include spectator sports, amusement parks, casinos, and fitness centres, to name a few.
  • Unsurprisingly, demand-related and travel obstacles rank high and are comparable or higher than the all-industries average.
  • “Recruiting and retaining skilled employees” is lower than the all-industries average. This runs counter to insights from the Labour Force Survey and to anecdotal information heard in the sector. This obstacle may have not been fully experienced yet since most of the sector was still in full shutdown when the CSBC was fielded.
  • “Maintaining sufficient cash flow or managing debt” will be a significant obstacle for some organizations. “Obtaining financing”, much less so. This could indicate that financing programs such as the Highly Affected Sectors Credit Availability Program aren’t seen as a viable solution to cash flow problems by arts, entertainment and recreation organizations. According to annual surveys of service industries, the margin of profit of performing arts and presenting organizations typically hovers between 0.1 and 1%. This leaves little financial room for paying back loans.
  • “Intellectual property protection” ranked second last (4.5%), but it was almost three times higher than the all-industries average (1.5%). This is likely reflective of challenges experienced by arts organizations as the pandemic forced many to shift to online activities. Online dissemination of creative content triggers several different rights, which in turn engenders many questions and concerns about fair compensation in the online environment. 
  • “Obstacles for the business or organization, other” (13.7%) was two times higher than the all-industries average (6.2%). What are these other obstacles? According to the National Arts and Culture Impact Survey (see), other obstacles encountered by arts organizations last fall included:

The Canadian Survey on Business Conditions offers a lot more information on the expectations of businesses moving forward and on the ongoing impact of the pandemic on businesses in Canada. You can read more in The Daily, or in the summary published on our COVID Impact Statistics page.

Another point of view: the National Arts and Culture Impact Survey

The National Arts and Culture Impact Survey (NACIS), is industry-led survey conducted in the fall among arts and culture organization. Even though it asked about many of the same obstacles, the difference in the target population and the survey period yielded different ratings than the CSBC. Here are the obstacles reported on p. 10 in the organization report.

Bar chart from the NACIS report. Key obstacles and percentages are available as text below.
Source: Prairie Research Associates, National Arts and Culture Impact Survey: Organization Report, 2021.

Obstacles experienced by one in two organizations included all top three obstacles found in the CSBC, plus these ones:

  • Uncertainty of government response in order to plan effectively (67%)
  • Staff stress or burnout (64%)
  • Financial constraints (55%)
  • Lack of capacity to adapt to current reality (48%)

The NACIS also includes relevant insights about attitudes towards the pivot to digital programming and about government support.

National Arts and Culture Impact Survey

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Written by Frédéric Julien
Frédéric Julien has been leading research and development activities at the Canadian Association for the Performing Arts since 2010. In this capacity, he has directed or authored several key research initiatives such as The Value of Presenting, Vital Signs: Arts and Belonging, Digitizing the Performing Arts, as well as many analyses of Statistics Canada data series. Frédéric also leads the Linked Digital Future initiative, which seeks to enhance the discoverability of the performing arts.

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